Listening to Music

Yale, , Prof. Craig Wright

Updated On 02 Feb, 19

Overview

Introduction - Introduction to Instruments and Musical Genres - Rhythm: Fundamentals - Rhythm: Jazz, Pop and Classical - Melody: Notes, Scales, Nuts and Bolts - Melody: Mozart and Wagner - Harmony: Chords and How to Build Them - Bass Patterns: Blues and Rock - Sonata-Allegro Form: Mozart and Beethoven - Sonata-Allegro and Theme and Variations - Form: Rondo, Sonata-Allegro and Theme and Variations - Guest Conductor: Saybrook Orchestra - Fugue: Bach, Bizet and Bernstein - Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C - Gregorian Chant and Music in the Sistine Chapel - Baroque Music: The Vocal Music of Johann Sebastian Bach - Mozart and His Operas - Piano Music of Mozart and Beethoven - Romantic Opera: Verdi's La Traviata, Bocelli, Pavarotti and Domingo - The Colossal Symphony: Beethoven, Berlioz, Mahler and Shostakovich - Musical Impressionism and Exoticism: Debussy, Ravel and Monet - Modernism and Mahler - Review of Musical Style

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Lecture 23: Review of Musical Style

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Lecture Details

Listening to Music (MUSI 112)This review session teaches students how to identify the various time periods of Western music history, through careful listening and close attention to the musical-stylistic characteristics of a given piece. Professor Wright plays several musical examples culled from different historical periods, and then guides the students in identifying a variety of musical features that can be used to figure out approximately when the music was written.0000 - Chapter 1. Introduction0349 - Chapter 2. Identifying Different Musical Styles1744 - Chapter 3. Review of Gregorian Chants2256 - Chapter 4. Listening Exercises for Modernist and Classical Music3225 - Chapter 5. Distinguishing Classical and Romantic Music4129 - Chapter 6. Final Exercise and ConclusionComplete course materials are available at the Open Yale Courses website httpoyc.yale.eduThis course was recorded in Fall 2008.