Listening to Music

Yale, , Prof. Craig Wright

Updated On 02 Feb, 19

Overview

Introduction - Introduction to Instruments and Musical Genres - Rhythm: Fundamentals - Rhythm: Jazz, Pop and Classical - Melody: Notes, Scales, Nuts and Bolts - Melody: Mozart and Wagner - Harmony: Chords and How to Build Them - Bass Patterns: Blues and Rock - Sonata-Allegro Form: Mozart and Beethoven - Sonata-Allegro and Theme and Variations - Form: Rondo, Sonata-Allegro and Theme and Variations - Guest Conductor: Saybrook Orchestra - Fugue: Bach, Bizet and Bernstein - Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C - Gregorian Chant and Music in the Sistine Chapel - Baroque Music: The Vocal Music of Johann Sebastian Bach - Mozart and His Operas - Piano Music of Mozart and Beethoven - Romantic Opera: Verdi's La Traviata, Bocelli, Pavarotti and Domingo - The Colossal Symphony: Beethoven, Berlioz, Mahler and Shostakovich - Musical Impressionism and Exoticism: Debussy, Ravel and Monet - Modernism and Mahler - Review of Musical Style

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Lecture 8: Bass Patterns Blues and Rock

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Lecture Details

Listening to Music (MUSI 112)In this lecture, Professor Wright teaches students how to listen for bass patterns in order to understand harmonic progressions. He talks through numerous musical examples from both popular music and classical music, showing the way that composers from both realms draw on the same chord progressions. The musical examples are taken from Mozart, Beethoven, Rossini, Wagner, Gene Chandler, the Beach Boys, Badly Drawn Boy, the Dave Matthews Band, and Justin Timberlake.0000 - Chapter 1. Review of Chord Formation0644 - Chapter 2. Chord Progressions and Harmonic Change1821 - Chapter 3. Popular and Classical Music Chord Progressions3112 - Chapter 4. Three-Chord Progressions3746 - Chapter 5. Four-Chord ProgressionsComplete course materials are available at the Open Yale Courses website httpoyc.yale.eduThis course was recorded in Fall 2008.