SignUpCervantes' Don Quixote
Yale, , Prof. Roberto González Echevarría
Updated On 02 Feb, 19
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Yale, , Prof. Roberto González Echevarría
Updated On 02 Feb, 19
The course facilitates a close reading of Don Quixote in the artistic and historical context of renaissance and baroque Spain. Students are also expected to read four of Cervantes' Exemplary Stories, Cervantes' Don Quixote: A Casebook, and J.H. Elliott's Imperial Spain. Cervantes' work will be discussed in relation to paintings by Velazquez. The question of why Don Quixote is read today will be addressed throughout the course. Students are expected to know the book, the background readings and the materials covered in the lectures and class discussions.
4.1 ( 11 )
Cervantes Don Quixote (SPAN 300)
González Echevarría starts by reviewing the Spanish baroque concept of desengaño. He proposes that the plot of the Quixote and some of the stories in part two unfold from deceit (engaño) to disillusionment (desengaño). He then turns his attention to Auerbach and Spitzers essays included in the Casebook ("Enchanted Dulcinea" and "Linguistic Perspectivism" respectively) that try to describe what González Echevarría calls the "Cervantean," the particularities that define Cervantes mind and style. In the second part of the lecture he comments on the episodes assigned for this week trying to explain their main characteristics and correspondence with part one. Doubting is common in Part II of the Quixote, suggesting that the characters meet with themselves to find meaning and identity. The lecture ends with the comments on one of Cervantes Exemplary Stories, "The Glass Graduate."
Complete course materials are available at the Open Yale Courses website httpopen.yale.educourses
This course was recorded in Fall 2009.
Sam
Sep 12, 2018
Excellent course helped me understand topic that i couldn't while attendinfg my college.
Dembe
March 29, 2019
Great course. Thank you very much.
