x
Menu

Listening to Music

Yale, , Prof. Craig Wright

Updated On 02 Feb, 19

Overview

Introduction - Introduction to Instruments and Musical Genres - Rhythm: Fundamentals - Rhythm: Jazz, Pop and Classical - Melody: Notes, Scales, Nuts and Bolts - Melody: Mozart and Wagner - Harmony: Chords and How to Build Them - Bass Patterns: Blues and Rock - Sonata-Allegro Form: Mozart and Beethoven - Sonata-Allegro and Theme and Variations - Form: Rondo, Sonata-Allegro and Theme and Variations - Guest Conductor: Saybrook Orchestra - Fugue: Bach, Bizet and Bernstein - Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C - Gregorian Chant and Music in the Sistine Chapel - Baroque Music: The Vocal Music of Johann Sebastian Bach - Mozart and His Operas - Piano Music of Mozart and Beethoven - Romantic Opera: Verdi's La Traviata, Bocelli, Pavarotti and Domingo - The Colossal Symphony: Beethoven, Berlioz, Mahler and Shostakovich - Musical Impressionism and Exoticism: Debussy, Ravel and Monet - Modernism and Mahler - Review of Musical Style

Includes

Lecture 4: Rhythm Jazz, Pop and Classical

4.1 ( 11 )


Lecture Details

Listening to Music (MUSI 112)Professor Wright begins this lecture with a brief introduction to musical acoustics, discussing the way multiple partials combine to make up every tone. He reviews fundamental rhythmic terms, such as "beat," "tempo," and "meter," and then demonstrates in more depth some of the more complex concepts, such as "syncopation" and the "triplet." Professor Wright then moves on to discuss the basics of musical texture, giving detailed examples of three primary types monophonic, homophonic, and polyphonic. The class is then taught the basics of rhythmic dictation -- skill that entails notating the rhythm of a piece after listening to it. Each of these disparate threads is brought together in the conclusion of the lecture, in which Mozarts Requiem is shown to weave different rhythms, textures, and pitches together to depict the text effectively.0000 - Chapter 1. Introduction to Multiple Partials0430 - Chapter 2. Syncopation and Triplets1433 - Chapter 3. Basics of Musical Texture2157 - Chapter 4. Counting Measures and Musical Dictation3815 - Chapter 5. Mozarts Requiem Insights on Varying Textures and PitchesComplete course materials are available at the Open Yale Courses website httpoyc.yale.eduThis course was recorded in Fall 2008.

Ratings

5.0


3 Ratings
55%
30%
10%
3%
2%
Comments
comment person image

Sam

Excellent course helped me understand topic that i couldn't while attendinfg my college.

Reply
comment person image

Dembe

Great course. Thank you very much.

Reply
Send