Introduction to Film Studies

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Contents:
Course Overview – Cinema & Semiotics,Seven (1995) – Plot in Cinema – Conflict as a plot element – Character as a plot element – Editing in Cinema – Montage – Jump-cut – Realism in Cinema – Colour : Theory & Practice Intertextuality,Casablanca (1942),The Matrix (1999) –

Cinema & Modernism : The Lumiere Brothers – George Melies – Carl Dreyer – Charlie Chaplin – Buster Keaton – F.W. Murnau – Fritz Lang – Jean Cocteau – Max Ophuls – The French Masters,Jean Renoir,Robert Bresson,What is a canon?
Canonical Text : Citizen Kane (1940) – The Godfather (1972/1974)
The Academy Awards : Case study: My Left Foot (1989) and Daniel Day-Lewis – Method Acting
Classic Hollywood : The Hay’s Code – The Studio Years – Major filmmakers

Classic Hollywood : Major filmmakers (George Stevens, William Wyler, Billy Wilder, Elia Kazan, George Cukor ) – Melodrama – Major filmmakers – Melodrama: Cinema of Douglas Sirk
German Expressionism : Film noir – Case study: Otto Preminger’s Laura (1944) – Neo-noir -Case study: Martin Scorsese’s Taxi Driver (1976) – Stars as IconsCase study: The Stardom of James Dean
Fandoms

Cinema and the Counterculture Movement : The Beat Generation – Woodstock Nation – Easy Rider (1968)
Italian cinema : Italian Neo-Realism – Italian Masters
Japanese Cinema : Major Filmmakers – Major Trends
Auteur Theory in the USA : Andrew Sarris – Alfred Hitchcock – Alfred Hitchcock as an Auteur – Case study: Rope (1948)
New Hollywood : Major filmmakers – Major texts – Major filmmakers – Major texts – The French Connection (1971) – Case study : opening sequence of Mean Streets(1973)

New Hollywood : Major filmmakers – Major texts – The End of the New Hollywood – George Lucas and Steven Spielberg – New Hollywood Auteur: Woody Allen – Case study: Manhattan (1979 )
Cinema and Genres : Dudley Andrews – Rick Altman – Gangster as a Genre – Genre Blending and Genre Bending – Quentin Tarantino’s films
Postmodernism and Cinema : Key Theorists – Linda Hutcheon – Ihab Hasan – Fredric Jameson
Case study: Face /off (1997) – The self-conscious cinema – Natural Born Killers – Wag the Dog
The Western : The Westerns of Sam Peckinpah,The Myth of the American West – No Country for Old Men (2007) – There Will be Blood (2007)

Course Curriculum

Mod-01 Lec-01 Course Overview Details 49:1
Mod-01 Lec-02 Cinema & Semiotics Details 48:57
Mod-01 Lec-03 Cinema & Semiotics(contd) Details 48:9
Mod-01 Lec-04 Plot in Cinema Details 48:37
Mod-01 Lec-05 Plot in Cinema (contd…) Details 47:40
Mod-01 Lec-06 Character as a plot element Details 51:16
Mod-01 Lec-07 Editing in Cinema Details 50:9
Mod-01 Lec-08 Realism in Cinema Details 49:9
Mod-01 Lec-09 Colour : Theory & Practice Details 51:17
Mod-01 Lec-10 Intertextuality Details 45:4
Mod-01 Lec-11 Intertextuality (contd.) Details 47:35
Mod-01 Lec-12 Intertextuality (contd…) Details 45:50
Mod-01 Lec-13 Cinema & Modernism Details 48:38
Mod-01 Lec-14 Cinema and Modernism (contd…) Details 1:17:35
Mod-01 Lec-15 The French Masters Details 48:33
Mod-01 Lec-16 The French Masters (contd..) Details 0:47
Mod-01 Lec-17 The French Masters (contd…) Details 48:51
Mod-01 Lec-18 Canonical Text Details 47:1
Mod-01 Lec-19 Canonical Text(contd..) Details 47:56
Mod-01 Lec-20 Canonical Text(contd…) Details 49:33
Mod-01 Lec-21 The Academy Awards Details 47:53
Mod-01 Lec-22 Classic Hollywood Details 51:7
Mod-01 Lec-23 Classic Hollywood(contd.) Details 47:34
Mod-01 Lec-24 Classic Hollywood (contd…) Details 44:54
Mod-01 Lec-25 Case study Details 54:26
Mod-01 Lec-26 Stars as Icons Details 46:56
Mod-01 Lec-27 Cinema and the Counterculture Movement Details 54:5
Mod-01 Lec-28 Italian cinema Details 50:32
Mod-01 Lec-29 Japanese Cinema Details 50:53
Mod-01 Lec-30 Auteur Theory in the USA Details 44:30
Mod-01 Lec-31 Auteur Theory in the USA (contd…) Details 48:4
Mod-01 Lec-32 New Hollywood Details 50:31
Mod-01 Lec-33 New Hollywood (contd…) Details 48:54
Mod-01 Lec-34 New Hollywood (contd….) Details 49:12
Mod-01 Lec-35 New Hollywood (contd….) Details 48:17
Mod-01 Lec-36 Cinema and Genres Details 51:29
Mod-01 Lec-37 Cinema and Genres (contd…) Details 57:57
Mod-01 Lec-38 Postmodernism and Cinema Details 50:29
Mod-01 Lec-39 Postmodernism & Cinema (contd…) Details 53:19
Mod-01 Lec-40 The Western Details 50:24

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