The American Novel Since 1945

Yale Course , Spring 2008 , Prof. Amy Hungerford

99 students enrolled

Overview

Introductions - Richard Wright, Black Boy - Flannery OConnor, Wise Blood - Vladimir Nabokov, Lolita - Guest Lecture by Andrew Goldstone - Jack Kerouac, On the Road - J. D. Salinger, Franny and Zooey - John Barth, Lost in the Funhouse - Thomas Pynchon, The Crying of Lot 49 - Toni Morrison, The Bluest Eye - Maxine Hong Kingston, The Woman Warrior - Marilynne Robinson, Housekeeping - Cormac McCarthy, Blood Meridian - Philip Roth, The Human Stain - Edward P. Jones, The Known World - Students Choice Novel: Jonathan Safran Foer, Everything is Illuminated

Lecture 14: Maxine Hong Kingston, The Woman Warrior

Up Next
You can skip ad in
SKIP AD >
Advertisement
      • 2x
      • 1.5x
      • 1x
      • 0.5x
      • 0.25x
        EMBED LINK
        COPY
        DIRECT LINK
        PRIVATE CONTENT
        OK
        Enter password to view
        Please enter valid password!
        0:00
        3.0 (2 Ratings)

        Lecture Details

        In this lecture at the midpoint of the course Professor Hungerford takes stock of the syllabus thus far and to come by laying out her guiding thesis of the Identity Plot, a rubric for understanding novels in the twentieth century as, she argues, the Marriage Plot is a rubric for understanding novels in the nineteenth century. Referring to examples throughout the syllabus, but especially Maxine Hong Kingstons Woman Warrior, Hungerford describes the overriding tendency of American novels written after 1945 to explore the tension between individual and collective identities and to interrogate the artistic and political stakes of competing notions of authenticity.

        LECTURES



        Review


        3.0

        2 Rates
        4
        50%
        1
        2
        50%
        1

        Comments Added Successfully!
        Please Enter Comments
        Please Enter CAPTCHA
        Invalid CAPTCHA
        Please Login and Submit Your Comment