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Listening to Music

Yale, , Prof. Craig Wright

Updated On 02 Feb, 19

Overview

Introduction - Introduction to Instruments and Musical Genres - Rhythm: Fundamentals - Rhythm: Jazz, Pop and Classical - Melody: Notes, Scales, Nuts and Bolts - Melody: Mozart and Wagner - Harmony: Chords and How to Build Them - Bass Patterns: Blues and Rock - Sonata-Allegro Form: Mozart and Beethoven - Sonata-Allegro and Theme and Variations - Form: Rondo, Sonata-Allegro and Theme and Variations - Guest Conductor: Saybrook Orchestra - Fugue: Bach, Bizet and Bernstein - Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C - Gregorian Chant and Music in the Sistine Chapel - Baroque Music: The Vocal Music of Johann Sebastian Bach - Mozart and His Operas - Piano Music of Mozart and Beethoven - Romantic Opera: Verdi's La Traviata, Bocelli, Pavarotti and Domingo - The Colossal Symphony: Beethoven, Berlioz, Mahler and Shostakovich - Musical Impressionism and Exoticism: Debussy, Ravel and Monet - Modernism and Mahler - Review of Musical Style

Includes

Lecture 2: Introduction to Instruments and Musical Genres

4.1 ( 11 )


Lecture Details

Listening to Music (MUSI 112)This lecture provides an introduction to basic classical music terminology, orchestral instruments, and acoustics. Professor Wright begins with a brief discussion of the distinctions between such broad terms as "song" and "piece," briefly mentioning more specific terms for musical genres, such as "symphony" and "opera." He then moves on to describe the differences between a "motive" and a "theme," demonstrating the distinction between the two with the use of music by Beethoven and Tchaikovsky. Following this, he calls upon three guest instrumentalists on French horn, bassoon, and viola to give a brief performance-introduction to each instrument. He concludes the session with a discussion of acoustics, focusing on the concept of partials, and then brings the lecture to a close with commentary on Richard Strausss tone-poem, Death and Transfiguration.0000 - Chapter 1. Distinguishing "Songs" from "Pieces" Musical Lexicon0423 - Chapter 2. Genres, Motives, and Themes1651 - Chapter 3. Introduction to the French Horn and Partials2302 - Chapter 4. The Bassoon and the Viola2914 - Chapter 5. Mugorsky and the Basic Principles of Acoustics4030 - Chapter 6. Dissonance and Consonance in Strausss Death and TransfigurationComplete course materials are available at the Open Yale Courses website httpoyc.yale.eduThis course was recorded in Fall 2008.

Ratings

4.7


3 Ratings
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Comments
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Sam

Excellent course helped me understand topic that i couldn't while attendinfg my college.

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Dembe

Great course. Thank you very much.

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